The USS Arizona Memorial
The Uss Arizona
Elvis
Wanted to Do Something Patriotic...
Elvis
donated the proceeds of his 1961 Honolulu concert to the USS
Arizona Memorial Fund. The USS Arizona Memorial was constructed
at Pearl Harbor in 1962 and was designed by Alfred Peris,
a prominent local architect of Austrian decent who fled from
Germany to Hawaii. After the bombing of Pearl Harbor Peris
was arrested and interned at the Sand Island Detention Center
interment camp during the first two years of WWII. In designing
the memorial Alfred Peris made sure that no part of the memorial
touched or was affixed in any way to the USS Arizona. The
average age of the men who died on the USS Arizona was 19
and the names of all 1,177 men who were killed on the Arizona
during the attack on Pearl Harbor are listed on the memorial.
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The USS Arizona and Memorial
dedicated
in 1962 from the proceeds of Elvis' 1961 Hawaii
concert.
On March 25, 1961, Elvis Presley made his
first post-Army appearance, and he did it for the Navy. Presley
performed in a charity fund-raiser at Bloch Arena to kick-start
the struggling USS Arizona Memorial building fund. It is an event
largely unremembered and unmemorialized, even though a rock 'n'
roll entertainer was able to accomplish something that admirals,
generals and politicians could not. More than a thousand U.S.
sailors were entombed in the battleship when a bomb ripped apart
the bow, splitting the hull. It sank in minutes and the bodies
were never recovered. Dozens of plans were proposed to memorialize
the crew of the Arizona, the U.S. Navy's single greatest loss
of life, but for nearly 20 years military efforts at raising funds
were fumbling and disorganized. There was also no agreement on
the size and shape of the memorial. Eventually, a design by architect
Alfred Preis was accepted, even though the Navy had asked for
a memorial shaped like a ship's "bridge" and Preis'
design was like a bridge crossing a river. Although the U.S. Navy
insisted on complete control of the Arizona Memorial, they had
no experience in creating such structures. The Navy's fund-raising
was confused, and ineffective, even when they hired civilians
to do it for them. Hawaii journalists appealed to other newspapers
to help.
LINKS
Read About the USS Arizona Memorial
Creating the Memorial
George Chaplin of the Honolulu Advertiser
mailed something like 1,500 letters, asking for articles or editorials
about the Arizona Memorial. The Los Angeles Examiner responded
with an editorial, and one of their readers that day was Elvis
Presley's manager, Col. Tom Parker. "The colonel read in
an L.A. newspaper that the memorial-building project was not going
to be finished," recalled radio personality and concert promoter
"Uncle Tom" Moffatt, a friend of Parker's. According
to Ron Jacobs, another KPOI "Poi-Boy" disc jockey at
the time, "Parker, a veteran of World War I, served in the
U. S. Army at Fort DeRussy in Waikiki and loved Hawaii. "Elvis
did his first concerts here in November 1957 at the Honolulu Stadium.
That is when Tom Moffatt and I met Elvis and Col. Parker. We were
disc jockeys and the first ones to play Elvis' records. Colonel
invited us to emcee one concert each. That remains one of the
most exciting experiences of my life." The benefit was also
an opportunity for Presley to ease back into playing for a live
audience. Presley was just getting out of the Army and he hadn't
performed for a couple of years. Presley also wanted to do something
patriotic for his country after serving in the military. "Chaplin
was a veteran of World War II who served on the staff of The Stars
and Stripes, the official U. S. military paper," said Jacobs.
"Several other Stars staff members were discharged in Honolulu
and joined Chaplin."
USS Arizona Casualty List
~Webshots News
{in conjunction with the 65th Anniversary
of Pearl Harbor}
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USS Arizona
Memorial historian
Dan Martinez credits newspapers for keeping the memorial concept
alive. "Editors of daily newspapers across the country were
connected in their profession, that was how they kept the story
going. "Parker and Elvis had to go to Hawaii anyway, to film
a movie they thought would be called 'Waikiki Beachboy' (it turned
out to be "Blue Hawaii"), so Parker thought it would be
good publicity to schedule the benefit concert that would raise
well over $64,000 for the memorial.

 
"But the memorial needed
half a million dollars. The total already raised at that time was
$250,000, which was only half of what they needed. Federal money
was eventually taken to finish the memorial, which means that half
the money that was raised later came from the taxpayers," said
Martinez. But before the concert could go on, Parker had to convince
"the brass," admirals, generals, etc., that a benefit
concert would actually be profitable. The military officers were
skeptical, said Moffatt. Moffatt went with Col. Parker to "see
the reaction" of the officers. "It was still the early
days of rock 'n' roll, which conservative people still thought of
as wild music. But Col. Parker was such a great salesman that by
the end of the meeting, the colonel had the brass saluting him,"
Moffatt recalled. Jacobs also remembers the summit meeting. "Moffatt
and I were on hand when Parker briefed the highest military in the
Pacific. Although he was an 'Honorary Colonel' from the state of
Tennessee he had the authentic generals and admirals hypnotized
when he spoke. As the officers left, they were each given a photo
of Elvis. They had to restrain themselves from looking like excited
fans." "Our sincere thanks to Col. Parker," said
Pacific War Memorial fund-raising chief H. Tucker Gratz afterward
to the press. "It's hard to believe this is real." "It
is," said Parker. "You know, Elvis is 26. This last Sunday
was his birthday and that's about the average age of those boys
entombed in the Arizona. I think it's appropriate that he should
be doing this." Star-Bulletin columnist Dave Donnelly was a
news editor at KPOI when he happened onto the interview among Moffatt,
Jacobs and Parker announcing the concert. "Col. Parker waved
his hands at all these kids who were sitting in the studio and said,
'You're all invited too,' and they were. He bought their tickets,"
Donnelly said. The concert was scheduled for Mar. 25, 1961, in the
Bloch Arena next to the Pearl Harbor entrance. The goal of $50,000
was topped by almost $15,000. Tickets were sold at stores like Sears,
for a top price of $5. The concert not only raised money, it also
raised public awareness of the need for a memorial. All funds raised
went into planning and building the Arizona Memorial; Elvis wasn't
paid his usual fee of $25,000. "I don't believe in part-time
charities," said Col. Parker. "Elvis will not receive
a cent for his evening's work." "Parker believed that
if you did a fund-raising concert that all the money made, every
penny of it, went to the cause," Moffatt explained. Even Elvis
purchased tickets. Col. Parker and the admirals bought tickets to
the show to increase the total amount raised. "The colonel
made sure that absolutely no one got in the show for free,"
Moffatt said. Many $100 tickets were sold, and Presley bought the
first one.
The show was memorable. "Because it was a small indoor hall,
the screaming and cheering was louder than the 1957 outdoor shows.
It was literally a situation where you couldn't hear yourself think,"
Jacobs said. "On the night of the show there was the electricity
and excitement that was felt only at Elvis concerts. I have attended
many concerts. The Beatles, Rolling Stones, Michael Jackson, 'N
Synch, etc., never generated the highly charged audience reaction
that Elvis did. "I was amazed at how much music such a small
group of performers could generate. Elvis' onstage moves, which
have since been widely copied, captured visually what his music
sounded like. To me, the most exciting moment was when Elvis ended
his smash-hit song 'Hound Dog' by landing on both his knees and
skidding at least 6 feet across the stage. "Minnie Pearl, a
comedy 'hillbilly' singer and star of 'The Grand Ol' Opry' radio
and TV show received 'special guest' billing. Parker brought Elvis'
complete road show and touring band. They were most of the original
musicians and singers on Elvis' first records: D.J. Fontana on drums,
Scotty Moore on guitar and the Jordanaires as backup singers."
There had never before been a high-profile
fund-raising concert -- especially not one by a rock 'n' roll performer.
Despite this contribution, there is no mention of Presley's special
concert at the Arizona memorial itself or at the visitors' center.
There is only one plaque at the memorial that mentions Presley as
just one of the many contributors to the building of the Arizona
Memorial. Elvis Presley merchandise and artifacts are viewable only
within the archives at the memorial. None of it is on public display.
"Moffatt and I remained friends with Col. Parker until he died
several years ago," Jacobs said. "His biggest disappointment
was that Elvis never received official government credit for this
contribution to Hawaii, the country and the world.
SPECIAL NOTE: Elvis photo used by permission
to honor Elvis' as a US Army veteran and a man who greatly cared
about the USS ARIZONA MEMORIAL and Hawaii.
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